TYPORAMA
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What does it mean to be different?
A fantastical and poignant tale that dives into America’s history with freak shows, and what it means to be different in this world.
March 15, 2025
Koehler Books
Literary Fiction, Historical
PRAISE FOR THE AUTHOR:
“In this propulsive tale of the magic lurking inside our mortality, Mark Mustian has conjured a surreal hero. Here is a translucent rendering of boyhood and aberration, of the fault lines of race and the frailty of religion. In sentences that are equally primal and poetic, Mustian transports us through the shacks, camps, circuses, and back alleys of the Depression-era South, asking a still-resonant question: what's the price of belonging in a society that's already broken?”–Katy Simpson Smith, author of “The Everlasting,” for “Boy With Wings”
“Novelist Mustian writes relentlessly, telling [Ahmet’s] haunting story in brief bursts of luminous yet entirely unsentimental prose and reminding us that, when life gets bloody, we had better watch out for our own humanity.”—Library Journal (Starred Review), for “The Gendarme”
“Every decade or so, I find a novel that I sense, just by reading the basic description, will become unforgettable; after reading only 20 pages of ‘The Gendarme,’ my impression was confirmed with great force. For this decade, and this reader, ‘The Gendarme’ is that extraordinary, unforgettable novel…”—BookPage, for “The Gendarme”
“A well-plotted, well-told story with a powerful, moving message…”—Baton Rouge Advocate, for “The Gendarme”
“A brilliantly conceived and carefully crafted novel…”—Southern Literary Review, for “The Gendarme”
“This is a harrowing and truly important novel by a splendid American writer.”—Robert Olen Butler, Pulitzer Prize winning author of “Hell and A Good Scent from a Strange Mountain,” for “The Gendarme”
“Vibrant and alive, the kind of book where the blood pumps mightily” –Kristen Arnett, NYT bestselling author of “Mostly Dead Things”
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ABOUT BOY WITH WINGS:
Johnny Cruel is born with strange appendages on his back, frightening his neighbors and leaving him struggling to find a home.
Johnny ends up in a “freak show” traveling the 1930s South, where he bares his back to onlookers who come to gape and fawn.
Is he a horror or an angel? Should he hide himself to live his life?
As Johnny comes to grips with his uniqueness, he embarks on a journey of love and finds the miracles that give our lives meaning.
Mustian’s thrilling and emotional story of self-discovery is perfect for book clubs and fans of historical fiction.
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ABOUT THE AUTHOR:
MARK MUSTIAN is the author of the novels “The Return” and “The Gendarme,” the latter an international bestseller that has been published in eleven languages.
He was a finalist for the Dayton International Literary Peace Prize, shortlisted for the Saroyan International Award for Writing, and the winner of the Florida Gold Book Award for fiction.
He is the founder and president of the Word of South Festival of Literature and Music in Tallahassee, Florida, now in its tenth year.
A former elected official and an attorney, he lives in Florida and Michigan with his wife and elderly dog.
Learn more at: www.markmustian.com
FOLLOW MARK MUSTIAN ON SOCIAL MEDIA:
Facebook: @MarkMustianAuthor
Twitter: @MarkMustian
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An Interview with
Mark Mustian
1. What inspired you to write “Boy With Wings”?
I’ve thought about writing this book for quite some time. I’ve started it, stopped it, begun again, made revisions. I wanted to dig into what it means to be different, and how that truly feels.
2. Although there are no “freak shows” today as there were in the 1930s, do you believe there’s a contemporary equivalent?
There actually are still a few traveling freak shows, but oddities today are shown mostly on the Internet and TV. Just as in the 1930’s, there’s much that is fake, and some that is real.
3. What is the significance of ignorance and superstition in this book?
Ignorance and superstition are related in certain ways to belief (and religion). We tend to equate anything we don’t or can’t understand to God, but at the same time we fear it. Human oddities seem a perfect example—we’re fascinated even as we’re repelled.
4. What role does spirituality play in the book?
The main character, Johnny, struggles with his body and his belief. Is it God he believes in, or the Bible, or even something else? He struggles also with the role society seems to want him to play. I think those struggles are there for all of us, and spirituality is the path (with its many branches) that can lead us through.
5. As a Southern writer, how do race and religion connect to the book and reflect the region you call home?
It’s hard to write as a Southerner without addressing race and religion, or at least it is for me. Each so permeates life here, and arguments can be made that we’ve come a long way on both, or that we haven’t come very far at all (and don’t want to). Dichotomies are everywhere: the hypocrisies of the Church, the unwillingness to look past oneself, the tribalism that’s in our blood, the absolute beauty of the land and its people. All fertile ground for a writer.
6. Have you ever been in situations where you were perceived as “the odd man out”?
Absolutely—I think everyone has at some point in their life. Some people thrive on it, but I believe that it’s hard for most. It starts early, when we’re kids—I remember being ostracized because I wasn’t “cool.” That impacted my life, for better and sometimes for worse.
7. Why do you think people are fascinated with “weird,” and at the same time repulsed by it?
I saw an article one time where the musician Sting claimed to be an “adrenaline junkie.” I think almost everyone is, to a certain degree—we want to be stimulated, to feel that little rush of anger, revulsion, happiness or something else, to take us out of the humdrum of everyday life. Each day there’s a car crash somewhere, and nearly all of us stop to look.
8. Tell us a little bit about your work with Word of South Festival in Tallahassee, Florida.
When “The Gendarme” was published, I was invited to speak at a number of literary festivals around the country. I was a Tallahassee City Commissioner then, and thought, “We should do something like that here!” Five years later, Word of South was born. We had our first festival in 2015, and it rained all weekend, but eleven years later, we’re still putting authors and musicians together in all sorts of unique ways. There’s really not much like it anywhere in the world.
9. What’s next for you?
More books! I’m working on a fantastic story set in late antiquity (the 400s), and a Civil War piece, as well. I hope to keep digging into why we do the things we do and believe the things we believe (or say we do).